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Black History Month: Oscar Micheaux

Learn about the first major Black filmmaker and the most successful Black filmmaker of the first half of the 20th century.
The legendary filmmaker Oscar Micheaux, illustrated by Alleanna Harris

Today's Black History Month illustration is of Oscar Micheaux (1884-1951), the first major Black filmmaker and the most successful Black filmmaker of the first half of the 20th century.

An illustration of the filmmaker Oscar Micheaux by Alleanna Harris
Oscar Micheaux by Alleanna Harris

He wrote, produced and directed 44 films between 1919 and 1948. His films featured contemporary Black life, complex characters, and he sought to counter the negative on-screen portrayal of Black people on screen.

A black and white photo of the filmmaker Oscar Micheaux, circa 1913
Oscar Micheaux, c. 1913

In 1913, he released his first novel, The Conquest The Story of a Negro Pioneer, loosely based on his own life as a homesteader. It attracted attention from a film production company in LA, which wanted to adapt the book into a film. The deal fell through, and he decided to produce and shoot the film himself in Chicago.

A black and white photo of filmmaker Oscar Micheaux with his film camera, courtesy of the NYPL
Image Courtesy of the General Research and Reference Division, the New York Public Library.

Micheaux set up his own film and book publishing company, then released the film, “The Homesteader” in 1919. The silent film featured a Black man who entered a rocky marriage with a Black woman, played by actress Evelyn Preer, despite being in love with a white woman. It garnered praise from critics, and one of them called it a “historic breakthrough, a creditable, dignified achievement.”

Below is Micheaux’s second film, “Within Our Gates” (1920), the earliest known surviving feature film directed by an African American. (Shout out to the Library of Congress!) Within Our Gates was created in response to The Birth of a Nation and showed the reality of Dixie racism in 1920.

Micheaux wanted to offer audience a Black version of Hollywood movies, but because he operated under financial and technical restraints, his films were poorly lit and edited. He used non-professional actors and scenes were shot in one take, often filled with flubs.

A black and white photo of the filmmaker Oscar Micheaux directing a film with his crew behind him
Courtesy of Kino Lorber

Even though Black critics and audiences rejected his later films as racially ambivalent due to bourgeois ideologies, his films brought diverse images of Black life and social issues to the screen for the first time. His prolific career was truly groundbreaking, especially for the time he lived in.

A photo of filmmaker Oscar Micheaux in old age
Courtesy of the Schomburg Center for Research in Black Culture, Photographs and Prints Division, New York Public Library

The Oscar Micheaux illustration is available as an art print here.

I’ll be back on Monday with another illustration and story!

-Alleanna


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Further watching:

Video: Oscar Micheaux: The First Black Indie Filmmaker by Black History in Two Minutes or so

Video: The Lasting Legacy of Oscar Micheaux's The Symbol of the Unconquered by Jacqueline Stewart and Turner Classic Movies

Film: Body and Soul (1925) - Directed by Oscar Micheaux, Paul Robeson, Marshall Rogers, Lawrence Chenault


Sources:

Oscar Micheaux | Pioneering African-American Filmmaker | Britannica
Oscar Micheaux was a prolific African American producer and director who made films independently of the Hollywood film industry from the silent era until 1948. While working as a Pullman porter, Micheaux purchased a relinquished South Dakota homestead in 1906. Although he lost the farm because of
Within our gates
Sylvia Landry, a young black woman, is visiting her cousin, Alma Prichard, in the North. After Alma uses her wicked step-brother Larry to break Sylvia’s engagement, Sylvia returns to the South. She meets Rev. Jacobs, a minister who runs a school for black children, which is facing closure. Sylvia volunteers to go to Boston to attempt to raise funds. Upon arriving, her purse is stolen, but a local man, Dr. Vivian, manages to get it back for her. Dr. Vivian falls in love with Sylvia, and gradually learns of her tragic past: her adoptive mother and father were both the victims of lynching and she was the victim of attempted rape, after a meeting between her adoptive father, sharecropper Jasper Landry, and the plantation owner, Philip Girdlestone, ends with Girdlestone dead. Meanwhile, despite setbacks, Sylvia has managed to raise $50,000 for the school from a generous philanthropist. After a second difficult encounter with Larry, Sylvia and Dr. Vivian are happily reunited.
Hollywood Flashback: Oscar Micheaux’s Pioneering Black Film Studio Was Founded 100 Years Ago
A look back at film pioneer Oscar Micheaux’s career, which will be chronicled in the upcoming biopic starring Tyler Perry in development at HBO.
Oscar Micheaux
One of hundreds of thousands of free digital items from The New York Public Library.
Oscar Micheaux - Wikipedia